Тезаурус CERL

Gwyn, Nell

Идентификатор записиcnp00542262

URIhttp://data.cerl.org/thesaurus/cnp00542262

Полженский

Годы жизни1650 - 1687

Место рожденияLondon

Место смертиLondon

Последнее изменение2024-10-16

Примечание

Trat als Sängerin in Tavernen auf; danach am Royal Theatre; seit 1667 Geliebte der Schauspieler Hart u. Lacey; seit 1669 Mätresse von König Charles II. von England

Прочая информация

Даты02.02.1650-13.11.1687

1650-1687

02.02.1650-XX.11.1687

ДеятельностьMätresse (gnd)

Schauspielerin (gnd)

Примечание к географической информацииGB (iso3166)

Место деятельности

Место рожденияLondon
Geburtsort

Место деятельностиLondon
Wirkungsort

Место смертиLondon
Sterbeort

Связи с другими объектами

См. такжеKarl, II., England, König, 1630-1685
Bekanntschaft. -- Geliebter

Имена / Наименования

Авторитетная формаGwyn, Nell
принято в: Integrated Authority File (GND), Germany; British Library: English Short Title Catalogue - AACR2 Heading, London (United Kingdom)

Настоящее имяGwyn, Eleanor
Wirklicher Name

Вариант имениGuyn, Ellen

Gwinn, Elenor

Gwyn, Eleanor
British Biogr. Archive (WBIS)

Gwynn, Eleanor

Gwynn, Ellen

Gwynne, Eleanor

Gwynne, Nell

Nell

Источники

Найдено вDNB=Gwyn, Eleanor, 1650.2.2-1687.11.13; actress, and mistress to Charles II.. — LCAuth. — Flatz: Theaterhistorische Porträtgraphik. — Friedrichs Theaterlex.. — Rischbieter. — Ulrich

Источники выходных данныхR219800: A true account of the late most doleful, and lamentable tragedy of old Maddam Gwinn, mother to Maddam Elenor Gwinn; who was unfortunately drowned, in a fish-pond, at her own mansion-house, near the neat-houses, 1679

Portrait of Nell Gwyn (1650-1687), mistress of Charles II of England "In this portrait Nell is holding a six-petalled flower which has been identified as jasmine. As a flower painter, Verelst would have been familiar with jasmineâ€™s structure and its traditional inclusion in portraits to signify the amiable nature of a sitter. Jasmine is well-known for its intoxicating scent, and this combined with its almost translucent petals and fragility, allows Verelst to play with the senses of sight, smell and touch, recognised devices characteristic of seventeenth-century Dutch painting." [1]
[Simon Pietersz Verelst / https://www.apollo-magazine.com/highlights-of-masterpiece-london/ -- Public domain -- http://commons.wikimedia.org/wiki/File:Simon Verelst - Portrait of Nell Gwyn.jpg]