Gwyn, Nell
Record IDcnp00542262
URIhttp://data.cerl.org/thesaurus/cnp00542262
Geslachtvrouw
Bibliografische gegevens1650 - 1687
GeboorteplaatsLondon
Plaats van overlijdenLondon
Voor het laatst bewerkt2024-10-16
Algemene noot
Trat als Sängerin in Tavernen auf; danach am Royal Theatre; seit 1667 Geliebte der Schauspieler Hart u. Lacey; seit 1669 Mätresse von König Charles II. von England
Meer informatie
Verdere bibliografische gegevens02.02.1650-13.11.1687
1650-1687
02.02.1650-XX.11.1687
ActiviteitMätresse (gnd)
Schauspielerin (gnd)
Geografische nootGB (iso3166)
Plaats van werkzaamheid
GeboorteplaatsLondon
Geburtsort
Geburtsort
Plaats van werkzaamheidLondon
Wirkungsort
Wirkungsort
Plaats van overlijdenLondon
Sterbeort
Sterbeort
Verwante objecten
Zie ookKarl, II., England, König, 1630-1685
Bekanntschaft. -- Geliebter
Bekanntschaft. -- Geliebter
Namen
KopjeGwyn, Nell
gebruikt in: Integrated Authority File (GND), Germany; British Library: English Short Title Catalogue - AACR2 Heading, London (United Kingdom)
gebruikt in: Integrated Authority File (GND), Germany; British Library: English Short Title Catalogue - AACR2 Heading, London (United Kingdom)
Werkelijke naamGwyn, Eleanor
Wirklicher Name
Wirklicher Name
NaamsvariantGuyn, Ellen
Gwinn, Elenor
Gwyn, Eleanor
British Biogr. Archive (WBIS)
British Biogr. Archive (WBIS)
Gwynn, Eleanor
Gwynn, Ellen
Gwynne, Eleanor
Gwynne, Nell
Nell
Bronnen
Gevonden inDNB=Gwyn, Eleanor, 1650.2.2-1687.11.13; actress, and mistress to Charles II.. — LCAuth. — Flatz: Theaterhistorische Porträtgraphik. — Friedrichs Theaterlex.. — Rischbieter. — Ulrich
Bronnen voor het impressumR219800: A true account of the late most doleful, and lamentable tragedy of old Maddam Gwinn, mother to Maddam Elenor Gwinn; who was unfortunately drowned, in a fish-pond, at her own mansion-house, near the neat-houses, 1679
Portrait of Nell Gwyn (1650-1687), mistress of Charles II of England "In this portrait Nell is holding a six-petalled flower which has been identified as jasmine. As a flower painter, Verelst would have been familiar with jasmine’s structure and its traditional inclusion in portraits to signify the amiable nature of a sitter. Jasmine is well-known for its intoxicating scent, and this combined with its almost translucent petals and fragility, allows Verelst to play with the senses of sight, smell and touch, recognised devices characteristic of seventeenth-century Dutch painting." [1]
[Simon Pietersz Verelst / https://www.apollo-magazine.com/highlights-of-masterpiece-london/ -- Public domain -- http://commons.wikimedia.org/wiki/File:Simon Verelst - Portrait of Nell Gwyn.jpg]
[Simon Pietersz Verelst / https://www.apollo-magazine.com/highlights-of-masterpiece-london/ -- Public domain -- http://commons.wikimedia.org/wiki/File:Simon Verelst - Portrait of Nell Gwyn.jpg]
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Deutsche Nationalbibliothek
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