Material Evidence
in Incunabula

mei/02140632 Rés. Yd. 179 [02140632]

Paris, Bibliothèque nationale de France (FR) : Rés. Yd. 179

ISTC No.id00029000
AuthorDante Alighieri
TitleLa Commedia (Comm: Christophorus Landinus). Add: Marsilius Ficinus: Ad Dantem gratulatio [Latin & Italian]
ImprintFlorence : Nicolaus Laurentii, Alamanus, 30 Aug. 1481
Format
Languageita
SubjectLiterature
Keywordspoetry; commentary; collection
Periodmedieval

Description of Copy

Copy Id02140632
Holding InstitutionParis, Bibliothèque nationale de France (FR)
ShelfmarkRés. Yd. 179
NoteCreated by Camilla Marangoni for the Polonsky project "Dante 1481", with data provided by Nathalie Coilly (Bibliothèque nationale de France).
Physical DescriptionContaining 19 engravings, of which the first two are printed directly on the page and the following 17 are printed on plates and pasted in (Category D of Hind's classification system). Engraving of canto 13 and 14 inverted ; engraving of canto 8, 9 and 19, unnumbered, of the 1 st state, others of the 2 nd state.
Size of leaves402 × 275 mm
Copy Features - NoteFrom M. Pellechet, "Catalogue général des incunables des bibliothèques publiques de France", p. 101: "14 dessins à la plume, d'une facture analogue, remplissant les blancs réservés pour les gravures, dans les chants XV à XXIV et XXX à XXXIII du Paradis."
From “Commento sopra la «Commedia»”, edited by Paolo Procaccioli, p. 136: "19 ill. (=Hind D); già di proprietà del card. di Brienne, che lo aveva acquistato a Roma; l'esemplare presenta alcune tavole disegnate a penna; capilettera colorati; iniziale miniata a aa2r."
Support material (book)Paper
SourceT. F. Dibdin, "Bibliotheca Spenceriana; or a descriptive catalogue of the books printed in the fifteenth century and of many valuable first editions in the library of George John Earl Spencer, K. G.", W. Bulmer and co., London 1815, IV, p. 113.
“Commento sopra la «Commedia»”, edited by Paolo Procaccioli, Salerno, Rome 2014, p. 136.
Paul de Colomb de Batines, "Bibliografia dantesca : ossia: Catalogo delle edizioni, traduzioni, codici manoscritti e comenti della Divina Commedia e delle opere minori di Dante, seguito dalla serie de' biografi di lui", Salerno Editrice, Roma 2008, I, p. 40.
A. M. Hind, "Early Italian Engraving. A critical catalogue with complete reproduction of all the prints described", Kraus Reprint, Nendeln 1970, p. 107.
Van Praet, "Catalogue des livres imprimés sur vélin de la Bibliothèque du roi", Burt Franklin, New York 1965, IV, pp. 121-122
M. Pellechet, "Catalogue général des incunables des bibliothèques publiques de France", III, A. Picard et fils, Paris 1897, pp. 100-101 no. 4114.

Provenance 1500 -

Areae-it
Time period1500 -
Provenance nameAnonymous artist, 1481- [Person] (Artist, Unknown)
Provenance TypeDecoration
Link to Provenance ImageImage in CERL Provenance Digital Archive Drawing, l. 13v
Image in CERL Provenance Digital Archive Illuminated initial, l. 169r
Image in CERL Provenance Digital Archive Illuminated initial, l. 275r
Image in CERL Provenance Digital Archive Drawing (Canto 15), l. 316v
Image in CERL Provenance Digital Archive Drawing (Canto 16), l. 319v
Image in CERL Provenance Digital Archive Drawing (Canto 17), l. 323v
Image in CERL Provenance Digital Archive Drawing (Canto 18), l. 326r
Image in CERL Provenance Digital Archive Drawing (Canto 19), l. 329r
Image in CERL Provenance Digital Archive Drawing (Canto 20), l. 332r
Image in CERL Provenance Digital Archive Drawing (Canto 21), l. 334r
Image in CERL Provenance Digital Archive Drawing (Canto 22), l. 337r
Image in CERL Provenance Digital Archive Drawing (Canto 23), l. 339r
Image in CERL Provenance Digital Archive Drawing (Canto 24), l. 341r
Image in CERL Provenance Digital Archive Drawing (Canto 31), l. 359v
Image in CERL Provenance Digital Archive Drawing (Canto 32), l. 362r
Image in CERL Provenance Digital Archive Drawing (Canto 33), l. 364v
Decoration NoteOn 13v a 16th-century full page pen-drawing in brown ink of a classical motif, possibly an altar; 13 further pen-drawings in the empty spaces of Paradiso (originally meant for the engravings serie), Cantos 15-24 and 30-33, on 316v, 319v, 323v, 326r, 329r, 332r, 334r (possibly later), 337r (possibly later), 339r, 341r, 359v, 362r, 364v. On on 169r the initial 'P' is supplied in gold on a burgundy ground edged in gold, with a green banner along the margin, also edged in gold with the some grotesque decoration; on 275r initial 'L' is supplied in gold on a green square ground edged in gold, with a burgundy banner along the margin, also eged in gold with some grotesque decoration; A few other large initial are supplied in blue; smaller initials are supplied in red or blue; the initials are also probably 16th century
Ornamental lettersYes
DrawingsYes
SourceLibrary catalogue

Provenance 1733 - 1783

PlaceRoma (Geonames ID: 3169070)
Areae-it
Time period1733 - 1783
Provenance nameBarbiellini, Michelangelo, 1733-1793 [Person; Bookseller] (Male, Booktrade, No characterisation/lay)
Provenance TypeDocumentary Evidence
NoteGiovanni Battista Audiffredi, "Specimen historico-criticum editionum Italicarum saeculi XV", ex typographio Paleariniano, Rome 1783, p. 288: "Romae in bibliopolio Mich. Ang. Barbiellini: quod exemplum superioribus annis a Laerio comparatum fuisse pro Bibliotheca Brienniana audivi."
Many sources state that the copy was previously owned by de Marchis, but this is a mistake due to an incorrect interpretation of Audiffredi's "Specimen".
Decoration NoteFrom A. M. Hind, "Early Italian Engraving", p. 107: "Some impressions brown, others grey. No. 1 cut. Nos. 3-19 in second state. This copy has added interest from the addition of pen and ink drawings in fourteen of the empty spaces in the Paradiso (Cantos XV-XXIV, and XXX-XXXIII) as well as a decorative design on the blank page opposite the beginning of Canto I of the Inferno. The designs to the Paradiso are quite independent of Botticelli, and somewhat in the style of Piero di Cosimo."
Coloured initials, illuminated initial on l. aa2r.
IlluminationsYes
Ornamental lettersYes
SourceBibliography

Provenance 1788 - 1792

PlaceParis (Geonames ID: 2988507)
Areae-fr
Time period1788 - 1792
Provenance nameLoménie de Brienne, Étienne Charles, 1727 - 1794 [Person; Former Owner] (Male, Clergy, Aristocracy)
Provenance TypeDocumentary Evidence
NoteBought for Brienne by François-Xavier Laire (1738-1801).
Method of acquisitionPurchase
SourceBibliography

Provenance 1792 -

PlaceParis (Geonames ID: 2988507)
Areae-fr
Time period1792 -
Provenance nameParis, Bibliothèque nationale de France, BnF, 1368- [Corporate body; Present Owner] (Library, Royalty)
Provenance TypeStamp
Bibliographic Evidence
NoteThe copy was sold in 1792 to the Bibliothèque National among the rest of Brienne's collection.
Cf. Index librorum ab inventa typographia ad annum 1500,… Hunc disposuit Franc.-Xav. Laire,... - Catalogue des livres de la bibliothèque de M*** [le cardinal Loménie de Brienne], 1791-1792 : vol. 2, n°11 p. 42.
On the Proemio leaf: retrospective stamp, n°24 (1833-1848).
Method of acquisitionPurchase
SourceBibliography

Other Information

CompletenessThe enumeration of provenance evidence is considered incomplete
Last Edit2021-06-29 08:29:17

All Copies

  02140632

Paris, Bibliothèque nationale de France (FR) : Rés. Yd. 179

ISTC No.id00029000
AuthorDante Alighieri
TitleLa Commedia (Comm: Christophorus Landinus). Add: Marsilius Ficinus: Ad Dantem gratulatio [Latin & Italian]
ImprintFlorence : Nicolaus Laurentii, Alamanus, 30 Aug. 1481
Format
Languageita
SubjectLiterature
Keywordspoetry; commentary; collection
Periodmedieval

Description of Copy

Copy Id02140632
Holding InstitutionParis, Bibliothèque nationale de France (FR)
ShelfmarkRés. Yd. 179
NoteCreated by Camilla Marangoni for the Polonsky project "Dante 1481", with data provided by Nathalie Coilly (Bibliothèque nationale de France).
Physical DescriptionContaining 19 engravings, of which the first two are printed directly on the page and the following 17 are printed on plates and pasted in (Category D of Hind's classification system). Engraving of canto 13 and 14 inverted ; engraving of canto 8, 9 and 19, unnumbered, of the 1 st state, others of the 2 nd state.
Size of leaves402 × 275 mm
Copy Features - NoteFrom M. Pellechet, "Catalogue général des incunables des bibliothèques publiques de France", p. 101: "14 dessins à la plume, d'une facture analogue, remplissant les blancs réservés pour les gravures, dans les chants XV à XXIV et XXX à XXXIII du Paradis."
From “Commento sopra la «Commedia»”, edited by Paolo Procaccioli, p. 136: "19 ill. (=Hind D); già di proprietà del card. di Brienne, che lo aveva acquistato a Roma; l'esemplare presenta alcune tavole disegnate a penna; capilettera colorati; iniziale miniata a aa2r."
Support material (book)Paper
SourceT. F. Dibdin, "Bibliotheca Spenceriana; or a descriptive catalogue of the books printed in the fifteenth century and of many valuable first editions in the library of George John Earl Spencer, K. G.", W. Bulmer and co., London 1815, IV, p. 113.
“Commento sopra la «Commedia»”, edited by Paolo Procaccioli, Salerno, Rome 2014, p. 136.
Paul de Colomb de Batines, "Bibliografia dantesca : ossia: Catalogo delle edizioni, traduzioni, codici manoscritti e comenti della Divina Commedia e delle opere minori di Dante, seguito dalla serie de' biografi di lui", Salerno Editrice, Roma 2008, I, p. 40.
A. M. Hind, "Early Italian Engraving. A critical catalogue with complete reproduction of all the prints described", Kraus Reprint, Nendeln 1970, p. 107.
Van Praet, "Catalogue des livres imprimés sur vélin de la Bibliothèque du roi", Burt Franklin, New York 1965, IV, pp. 121-122
M. Pellechet, "Catalogue général des incunables des bibliothèques publiques de France", III, A. Picard et fils, Paris 1897, pp. 100-101 no. 4114.

Provenance 1500 -

Areae-it
Time period1500 -
Provenance nameAnonymous artist, 1481- [Person] (Artist, Unknown)
Provenance TypeDecoration
Link to Provenance ImageImage in CERL Provenance Digital Archive Drawing, l. 13v
Image in CERL Provenance Digital Archive Illuminated initial, l. 169r
Image in CERL Provenance Digital Archive Illuminated initial, l. 275r
Image in CERL Provenance Digital Archive Drawing (Canto 15), l. 316v
Image in CERL Provenance Digital Archive Drawing (Canto 16), l. 319v
Image in CERL Provenance Digital Archive Drawing (Canto 17), l. 323v
Image in CERL Provenance Digital Archive Drawing (Canto 18), l. 326r
Image in CERL Provenance Digital Archive Drawing (Canto 19), l. 329r
Image in CERL Provenance Digital Archive Drawing (Canto 20), l. 332r
Image in CERL Provenance Digital Archive Drawing (Canto 21), l. 334r
Image in CERL Provenance Digital Archive Drawing (Canto 22), l. 337r
Image in CERL Provenance Digital Archive Drawing (Canto 23), l. 339r
Image in CERL Provenance Digital Archive Drawing (Canto 24), l. 341r
Image in CERL Provenance Digital Archive Drawing (Canto 31), l. 359v
Image in CERL Provenance Digital Archive Drawing (Canto 32), l. 362r
Image in CERL Provenance Digital Archive Drawing (Canto 33), l. 364v
Decoration NoteOn 13v a 16th-century full page pen-drawing in brown ink of a classical motif, possibly an altar; 13 further pen-drawings in the empty spaces of Paradiso (originally meant for the engravings serie), Cantos 15-24 and 30-33, on 316v, 319v, 323v, 326r, 329r, 332r, 334r (possibly later), 337r (possibly later), 339r, 341r, 359v, 362r, 364v. On on 169r the initial 'P' is supplied in gold on a burgundy ground edged in gold, with a green banner along the margin, also edged in gold with the some grotesque decoration; on 275r initial 'L' is supplied in gold on a green square ground edged in gold, with a burgundy banner along the margin, also eged in gold with some grotesque decoration; A few other large initial are supplied in blue; smaller initials are supplied in red or blue; the initials are also probably 16th century
Ornamental lettersYes
DrawingsYes
SourceLibrary catalogue

Provenance 1733 - 1783

PlaceRoma (Geonames ID: 3169070)
Areae-it
Time period1733 - 1783
Provenance nameBarbiellini, Michelangelo, 1733-1793 [Person; Bookseller] (Male, Booktrade, No characterisation/lay)
Provenance TypeDocumentary Evidence
NoteGiovanni Battista Audiffredi, "Specimen historico-criticum editionum Italicarum saeculi XV", ex typographio Paleariniano, Rome 1783, p. 288: "Romae in bibliopolio Mich. Ang. Barbiellini: quod exemplum superioribus annis a Laerio comparatum fuisse pro Bibliotheca Brienniana audivi."
Many sources state that the copy was previously owned by de Marchis, but this is a mistake due to an incorrect interpretation of Audiffredi's "Specimen".
Decoration NoteFrom A. M. Hind, "Early Italian Engraving", p. 107: "Some impressions brown, others grey. No. 1 cut. Nos. 3-19 in second state. This copy has added interest from the addition of pen and ink drawings in fourteen of the empty spaces in the Paradiso (Cantos XV-XXIV, and XXX-XXXIII) as well as a decorative design on the blank page opposite the beginning of Canto I of the Inferno. The designs to the Paradiso are quite independent of Botticelli, and somewhat in the style of Piero di Cosimo."
Coloured initials, illuminated initial on l. aa2r.
IlluminationsYes
Ornamental lettersYes
SourceBibliography

Provenance 1788 - 1792

PlaceParis (Geonames ID: 2988507)
Areae-fr
Time period1788 - 1792
Provenance nameLoménie de Brienne, Étienne Charles, 1727 - 1794 [Person; Former Owner] (Male, Clergy, Aristocracy)
Provenance TypeDocumentary Evidence
NoteBought for Brienne by François-Xavier Laire (1738-1801).
Method of acquisitionPurchase
SourceBibliography

Provenance 1792 -

PlaceParis (Geonames ID: 2988507)
Areae-fr
Time period1792 -
Provenance nameParis, Bibliothèque nationale de France, BnF, 1368- [Corporate body; Present Owner] (Library, Royalty)
Provenance TypeStamp
Bibliographic Evidence
NoteThe copy was sold in 1792 to the Bibliothèque National among the rest of Brienne's collection.
Cf. Index librorum ab inventa typographia ad annum 1500,… Hunc disposuit Franc.-Xav. Laire,... - Catalogue des livres de la bibliothèque de M*** [le cardinal Loménie de Brienne], 1791-1792 : vol. 2, n°11 p. 42.
On the Proemio leaf: retrospective stamp, n°24 (1833-1848).
Method of acquisitionPurchase
SourceBibliography

Other Information

CompletenessThe enumeration of provenance evidence is considered incomplete
Last Edit2021-06-29 08:29:17