---
_id: cnp01940484
data:
actNote:
- authority: gnd
intro: acti
lang: ger
text: Kurtisane
uri: http://d-nb.info/gnd/4140156-6
- authority: gnd
intro: acti
lang: ger
text: Schauspielerin
uri: http://d-nb.info/gnd/4153179-6
- authority: gnd
intro: acti
lang: ger
text: Sängerin
uri: http://d-nb.info/gnd/4051246-0
bioDates:
- end: 1708
lang: ger
start: 1648
text: 1648-1708. Geburtsjahr ca.
extDataset:
- code: DNBI
note:
- lang: eng
text: Authority record
searchTerm: http://d-nb.info/gnd/1032149345
typeOfResource: same
- code: WDAT
note:
- lang: eng
text: Wikidata description set
searchTerm: http://www.wikidata.org/entity/Q440398
typeOfResource: same
- code: LINK
note:
- lang: und
text: 'Portrait of Moll Davis (c.1648 - c.1708), mistress of Charles II of England
- "The present portrait derives from a three-quarter length by Sir Peter Lely which depicts her with the unguent jar of St Mary Magdalen, placing her in the guise of the reformed sinner, as well as providing a witty conceit for the display of a very decolletage. It has not precisely been established whether this mode is employed by Lely and his contemporaries for the portrayal of mistresses alone, but references to the Magdalen occur also in a portrait of Hortense Mancini (the same composition as the present painting) and in a portrait of the lady known as Margaret Hughes (Tate Gallery). The popularity of portraits of Royal mistresses attests to the status that these women enjoyed in their heyday. The occupied a position of remarkable stardom, comparable to the great sex symbols of the twentieth century. Numerous repetitions of their portraits would be commissioned from Lely and thus produced by the artists of his studio, many of whom such as John Greenhill or Nicolas de Largilliere were to become considerable masters in their own right. Sometimes a single image might be reproduced consistently many years after the first appearance of their original. This is particularly true of Lely's paintings of the most popular mistress of them all, Barbara Villiers Duchess of Cleveland. The most eagerly-sought icons in the 1670s and 1680s were still often those based on sittings of the 1660s." [1]
'
rights: 'Studio of Peter Lely / http://de.wikipedia.org/wiki/Bild:Moll_Davis.jpg -- Public domain -- http://commons.wikimedia.org/wiki/File:Lely - Moll Davis1.jpg'
searchTerm: 'http://commons.wikimedia.org/wiki/Special:FilePath/File:Lely - Moll Davis1.jpg'
typeOfResource: dpct
external:
- auth: GND
country: DE
date: 20130311
id: 1032149345
foundIn:
- British Biographical Archive (WBIS)
gender: a
generalNote:
- lang: ger
text: Natürliche Tochter d. Earl of Berkshire; während d. 1660er Jahre Mitglied d. Duke's Theatre Company; seit 1667 Geliebte von König Charles II. u. Mutter von Mary Tudor
geoNote:
- intro: geon
lang: ger
text: Großbritannien
- authority: iso3166
intro: geon
lang: und
text: GB
heading:
- part:
- entry: Davis
- firstname: Mary
usedBy:
- GyFmDB
name:
- part:
- entry: Davis
- firstname: Mistress
typeOfName: varn
- part:
- entry: Davis
- firstname: Moll
typeOfName: varn
- part:
- entry: Davis
- firstname: Mrs.
typeOfName: varn
place:
- id: cnl00015428
note:
- lang: ger
text: Geburtsort
part:
- name: Westminster
tmp: (GND)4079242-0
typeOfPlace: brth
typeOfEntry: 0
meta:
history:
- timestamp: 2016-12-13T12:00:00Z
- timestamp: 2018-12-16T12:00:00Z
- timestamp: 2019-05-03T12:00:00Z
- timestamp: 2019-09-26T12:00:00Z
- timestamp: 2024-02-08T12:00:00Z
possibleMatch:
- id: cnp00036403
similarity: 1
status: n