CERL Thesaurus

thesaurus/cnp01940484 Schoor, Joseph Victor Clément Ghislain ¬van¬

cnp01940484

---
_id: cnp01940484
_rights:
  delete: 0
  edit: 0
data:
  actNote:
    - authority: gnd
      intro: acti
      lang: ger
      text: Kurtisane
      uri: http://d-nb.info/gnd/4140156-6
    - authority: gnd
      intro: acti
      lang: ger
      text: Schauspielerin
      uri: http://d-nb.info/gnd/4153179-6
    - authority: gnd
      intro: acti
      lang: ger
      text: Sängerin
      uri: http://d-nb.info/gnd/4051246-0
  bioDates:
    - end: 1708
      lang: ger
      start: 1648
      text: 1648-1708. Geburtsjahr ca.
  extDataset:
    - code: DNBI
      note:
        - lang: eng
          text: Authority record
      searchTerm: http://d-nb.info/gnd/1032149345
      typeOfResource: same
    - code: WDAT
      note:
        - lang: eng
          text: Wikidata description set
      searchTerm: http://www.wikidata.org/entity/Q440398
      typeOfResource: same
    - code: LINK
      note:
        - lang: und
          text: 'Portrait of Moll Davis (c.1648 - c.1708), mistress of Charles II of England
  • "The present portrait derives from a three-quarter length by Sir Peter Lely which depicts her with the unguent jar of St Mary Magdalen, placing her in the guise of the reformed sinner, as well as providing a witty conceit for the display of a very decolletage. It has not precisely been established whether this mode is employed by Lely and his contemporaries for the portrayal of mistresses alone, but references to the Magdalen occur also in a portrait of Hortense Mancini (the same composition as the present painting) and in a portrait of the lady known as Margaret Hughes (Tate Gallery). The popularity of portraits of Royal mistresses attests to the status that these women enjoyed in their heyday. The occupied a position of remarkable stardom, comparable to the great sex symbols of the twentieth century. Numerous repetitions of their portraits would be commissioned from Lely and thus produced by the artists of his studio, many of whom such as John Greenhill or Nicolas de Largilliere were to become considerable masters in their own right. Sometimes a single image might be reproduced consistently many years after the first appearance of their original. This is particularly true of Lely's paintings of the most popular mistress of them all, Barbara Villiers Duchess of Cleveland. The most eagerly-sought icons in the 1670s and 1680s were still often those based on sittings of the 1660s." [1]
' rights: 'Studio of Peter Lely / http://de.wikipedia.org/wiki/Bild:Moll_Davis.jpg -- Public domain -- http://commons.wikimedia.org/wiki/File:Lely - Moll Davis1.jpg' searchTerm: 'http://commons.wikimedia.org/wiki/Special:FilePath/File:Lely - Moll Davis1.jpg' typeOfResource: dpct external: - auth: GND country: DE date: 20130311 id: 1032149345 foundIn: - British Biographical Archive (WBIS) gender: a generalNote: - lang: ger text: Natürliche Tochter d. Earl of Berkshire; während d. 1660er Jahre Mitglied d. Duke's Theatre Company; seit 1667 Geliebte von König Charles II. u. Mutter von Mary Tudor geoNote: - intro: geon lang: ger text: Großbritannien - authority: iso3166 intro: geon lang: und text: GB heading: - part: - entry: Davis - firstname: Mary usedBy: - GyFmDB location: point: {} name: - part: - entry: Davis - firstname: Mistress typeOfName: varn - part: - entry: Davis - firstname: Moll typeOfName: varn - part: - entry: Davis - firstname: Mrs. typeOfName: varn place: - id: cnl00015428 note: - lang: ger text: Geburtsort part: - name: Westminster tmp: (GND)4079242-0 typeOfPlace: brth typeOfEntry: 0 meta: history: - timestamp: 2016-12-13T12:00:00Z - timestamp: 2018-12-16T12:00:00Z - timestamp: 2019-05-03T12:00:00Z - timestamp: 2019-09-26T12:00:00Z - timestamp: 2024-02-08T12:00:00Z possibleMatch: - id: cnp00036403 similarity: 1 status: n
depiction of ...
Portrait of Moll Davis (c.1648 - c.1708), mistress of Charles II of England
  • "The present portrait derives from a three-quarter length by Sir Peter Lely which depicts her with the unguent jar of St Mary Magdalen, placing her in the guise of the reformed sinner, as well as providing a witty conceit for the display of a very decolletage. It has not precisely been established whether this mode is employed by Lely and his contemporaries for the portrayal of mistresses alone, but references to the Magdalen occur also in a portrait of Hortense Mancini (the same composition as the present painting) and in a portrait of the lady known as Margaret Hughes (Tate Gallery). The popularity of portraits of Royal mistresses attests to the status that these women enjoyed in their heyday. The occupied a position of remarkable stardom, comparable to the great sex symbols of the twentieth century. Numerous repetitions of their portraits would be commissioned from Lely and thus produced by the artists of his studio, many of whom such as John Greenhill or Nicolas de Largilliere were to become considerable masters in their own right. Sometimes a single image might be reproduced consistently many years after the first appearance of their original. This is particularly true of Lely's paintings of the most popular mistress of them all, Barbara Villiers Duchess of Cleveland. The most eagerly-sought icons in the 1670s and 1680s were still often those based on sittings of the 1660s." [1]

[Studio of Peter Lely / http://de.wikipedia.org/wiki/Bild:Moll_Davis.jpg -- Public domain -- http://commons.wikimedia.org/wiki/File:Lely - Moll Davis1.jpg]

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cnp01940484

---
_id: cnp01940484
_rights:
  delete: 0
  edit: 0
data:
  actNote:
    - authority: gnd
      intro: acti
      lang: ger
      text: Kurtisane
      uri: http://d-nb.info/gnd/4140156-6
    - authority: gnd
      intro: acti
      lang: ger
      text: Schauspielerin
      uri: http://d-nb.info/gnd/4153179-6
    - authority: gnd
      intro: acti
      lang: ger
      text: Sängerin
      uri: http://d-nb.info/gnd/4051246-0
  bioDates:
    - end: 1708
      lang: ger
      start: 1648
      text: 1648-1708. Geburtsjahr ca.
  extDataset:
    - code: DNBI
      note:
        - lang: eng
          text: Authority record
      searchTerm: http://d-nb.info/gnd/1032149345
      typeOfResource: same
    - code: WDAT
      note:
        - lang: eng
          text: Wikidata description set
      searchTerm: http://www.wikidata.org/entity/Q440398
      typeOfResource: same
    - code: LINK
      note:
        - lang: und
          text: 'Portrait of Moll Davis (c.1648 - c.1708), mistress of Charles II of England
  • "The present portrait derives from a three-quarter length by Sir Peter Lely which depicts her with the unguent jar of St Mary Magdalen, placing her in the guise of the reformed sinner, as well as providing a witty conceit for the display of a very decolletage. It has not precisely been established whether this mode is employed by Lely and his contemporaries for the portrayal of mistresses alone, but references to the Magdalen occur also in a portrait of Hortense Mancini (the same composition as the present painting) and in a portrait of the lady known as Margaret Hughes (Tate Gallery). The popularity of portraits of Royal mistresses attests to the status that these women enjoyed in their heyday. The occupied a position of remarkable stardom, comparable to the great sex symbols of the twentieth century. Numerous repetitions of their portraits would be commissioned from Lely and thus produced by the artists of his studio, many of whom such as John Greenhill or Nicolas de Largilliere were to become considerable masters in their own right. Sometimes a single image might be reproduced consistently many years after the first appearance of their original. This is particularly true of Lely's paintings of the most popular mistress of them all, Barbara Villiers Duchess of Cleveland. The most eagerly-sought icons in the 1670s and 1680s were still often those based on sittings of the 1660s." [1]
' rights: 'Studio of Peter Lely / http://de.wikipedia.org/wiki/Bild:Moll_Davis.jpg -- Public domain -- http://commons.wikimedia.org/wiki/File:Lely - Moll Davis1.jpg' searchTerm: 'http://commons.wikimedia.org/wiki/Special:FilePath/File:Lely - Moll Davis1.jpg' typeOfResource: dpct external: - auth: GND country: DE date: 20130311 id: 1032149345 foundIn: - British Biographical Archive (WBIS) gender: a generalNote: - lang: ger text: Natürliche Tochter d. Earl of Berkshire; während d. 1660er Jahre Mitglied d. Duke's Theatre Company; seit 1667 Geliebte von König Charles II. u. Mutter von Mary Tudor geoNote: - intro: geon lang: ger text: Großbritannien - authority: iso3166 intro: geon lang: und text: GB heading: - part: - entry: Davis - firstname: Mary usedBy: - GyFmDB location: point: {} name: - part: - entry: Davis - firstname: Mistress typeOfName: varn - part: - entry: Davis - firstname: Moll typeOfName: varn - part: - entry: Davis - firstname: Mrs. typeOfName: varn place: - id: cnl00015428 note: - lang: ger text: Geburtsort part: - name: Westminster tmp: (GND)4079242-0 typeOfPlace: brth typeOfEntry: 0 meta: history: - timestamp: 2016-12-13T12:00:00Z - timestamp: 2018-12-16T12:00:00Z - timestamp: 2019-05-03T12:00:00Z - timestamp: 2019-09-26T12:00:00Z - timestamp: 2024-02-08T12:00:00Z possibleMatch: - id: cnp00036403 similarity: 1 status: n