0RL 00000nz 22000003 45 001 cnp02308570 035 $zcnp01373841 035 $zcnp01429285 035 $zcnp00396804 100 $a20200825xmuly50 ba 110 $a0 120 $ab 200 1$aVivaldi$bAntonio$cNL$5NeHKB 200 1$aVivaldi$bAntonio$cFR$5BNF 200 1$aVivaldi$bAntonio$cDE$5GyFmDB$cDE$5GyGoGBV 200 1$aVivaldi$bAntonio$cPL$5PlWaBN 290 $aBN Cat. gén. 290 $aGDEL 290 $aGrove 6 290 $aDictionnaire biographique des musiciens / Theodore Baker, Nicolas Slonimsky, 1995 : Vivaldi, Antonio (Lucio) 290 $aL'estro armonico [Musique imprimée] / Antonio Vivaldi : ed. by Christopher Hogwood, 2002 290 $aLettere e dediche di Antonio Vivaldi / a cura di Olga Rudge, 1942 290 $aSonata : [sol' mažor : soč. 5 no 9] : dlâ violončeli i fort. / A. Korelli ; sost. i obŝaâ red. R. Sapožnikova. - Moskva, 1967 290 $aEMuzPWN 2001; NGrove 2001 290 $aWikipedia: Stand: 10.07.2020: https://de.wikipedia.org/w/index.php?title=Antonio_Vivaldi&oldid=196563026 290 $aM 290 $aLCAuth 290 $aMGG online 290 $aNG online 290 $aB Wissen 290 $aWikipedia: Stand: 15.04.2021: https://de.wikipedia.org/w/index.php?title=Antonio_Vivaldi&oldid=214799224 291 1$a6 concerti a cinque stromenti, a violino principal... / By Antonio Vivaldi et al...., 173u$sSTCN(ppn404317596) 291 1$aConcerti à cinque stromenti, tre violini, alto v... / By Antonio Vivaldi..., 1720$sSTCN(ppn405334273) 300 1$8dut$acomponist 300 1$8dut$amb 300 1$8fre$aCompositeur, violoniste et maître de chapelle 300 1$8fre$aNote de regroupement par domaine: Musique (780) 300 1$8ger$aBedeutender Vertreter des Spät-Barock, der als Violinvirtuose Aufsehen erregte und als Meister des Concerto grosso und des Solokonzerts (Konzert) gilt 340 01$8dut$aca.1678-1741$xa1678a1741 340 01$8eng$a04.03.1678-28.07.1741 340 01$8fre$a1678-1741$xa1678a1741 340 01$8ger$a04.03.1678-28.07.1741$xa1678a1741 340 01$8ger$a1678-1741$xa1678a1741 340 01$8pol$a1678-1741$xa1678a1741 350 1$0lang$8eng$aItalian 350 1$0irsp$8fre$aAuteur 350 1$0acti$8ger$aPersonen zu Musik (14.4p)$uhttp://d-nb.info/standards/vocab/gnd/gnd-sc#14.4p$2sswd 350 1$0acti$8ger$aGeiger$uhttp://d-nb.info/gnd/4156342-6$2gnd 350 1$0acti$8ger$aKomponist$uhttp://d-nb.info/gnd/4032009-1$2gnd 350 1$0acti$8ger$aItal. 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It is striking how the engraving and the painting 'secularize' Vivaldi: they contain no hint of his identity as a priest. (The fashionable, though slightly informal, dress and self-confident attitude of the composer resemble very closely those of Telemann in the well-known engraving by Georg Lichtensteger.) Ghezzi's sketch likewise shows Vivaldi in a non-clerical black stock as opposed to the white clerical stock and still wearing a wig. (Two years later, in the anno santo of 1725, Innocent XIII was to ban the wearing of wigs by priests.) There is disagreement over whether the hint of red showing in front of the centre of the composer's wig in the painting is a sly reference to his famous hair-colour or simply an unpainted part of the canvas. Whatever the case, it is not out of place to observe that, contrary to the belief of many modern illustrators, Vivaldi's wigs were never coloured red." Michael Talbot, The Vivaldi Compendium (2011), p. 148.The proposition that the painting actually depicts Antonio Vivaldi has been questioned by some sources (e.g. by Groves dictionary). 998 $a20200825$b12:00:00 999 $a20210128$b12:00:00 999 $a20220111$b14:44:26 999 $a20240208$b12:00:00