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thesaurus/cnp00547419 Plate

cnp00547419

---
_id: cnp00547419
_rights:
  delete: 0
  edit: 0
data:
  actNote:
    - authority: sswd
      intro: acti
      lang: ger
      text: Personen der Geschichte (Politiker und historische Persönlichkeiten) (16.5p)
      uri: http://d-nb.info/standards/vocab/gnd/gnd-sc#16.5p
  bioDates:
    - end: 1576
      lang: ger
      start: 1514
      text: 1514-1576
  extDataset:
    - code: VIAF
      note:
        - lang: eng
          text: Clustered authority record
      searchTerm: http://viaf.org/viaf/78638870
      typeOfResource: same
    - code: SUDO
      note:
        - lang: eng
          text: Authority record
      searchTerm: http://www.idref.fr/079422314/id
      typeOfResource: same
    - code: DNBI
      note:
        - lang: eng
          text: Authority record
      searchTerm: http://d-nb.info/gnd/119106329
      typeOfResource: same
    - code: WDAT
      note:
        - lang: eng
          text: Wikidata description set
      searchTerm: http://www.wikidata.org/entity/Q298410
      typeOfResource: same
    - code: LINK
      note:
        - lang: und
          text: 'Portrait of Shah Tahmasp I, painted by Cristofano Dell'Altissimo between 1552 and 1568.Panel/oil painting.Inscribed "Tammas Pers". (Tanavoli, Parviz (2015). European Women in Persian Houses: Western Images in Safavid and Qajar Iran. I.B. Tauris. p. 18. ISBN 978-1838608484.)Housed at the Galleria degli Uffizi, Florence.The idea of a universal gallery made up of portraits of illustrious men was thanks to Cosimo I de' Medici. In 1552, the duke of Tuscany sent the painter Cristofano dell'Altissimo to Como to copy the collection of portraits of illustrious men that the learned bishop Paolo Giovio, who had recently died in Florence, had collected in his villa on the lake from 1521. It was a very rare collection, the most important of its kind, both for the presence of numerous splendid originals and for the large number of subjects. Copies were sent from Como in groups from 1552 to 1587/89, so much so that Vasari, in the second edition of the "Lives" (1568), lists 280 portraits already present in Florence. In the meantime, Vasari himself had set up for Cosimo, in Palazzo Vecchio, a room annexed to the rooms of the Guardaroba, the so-called room of the Globe or of the geographical maps, destined to welcome in a particularly worthy setting also the collection of portraits of illustrious men who hand was forming. The program so loved by Cosimo I did not bear fruit with the new Grand Duke Francesco, while it resumed immediately and in full with the accession to the throne of Ferdinand I. Between 1587, the initial year of his government, and 1591 he arranged for the transfer collection of portraits in the corridor of the Uffizi; in 1597 the diplomatic traveler and writer from Vicenza Filippo Pigafetta rearranged the collection according to the "dignities and professions" and highlighted the most serious gaps in order to then complete and update the whole series. The Giovian collection was continued until 1840, today it has 492 pieces and is extraordinarily important from a historical-iconographic, if not stylistic, point of view. The portrait in question, mentioned in Vasari's list of 1568, depicts Tammas Sophy, king of Persia, who lived in the 16th century.'
      rights: 'Cristofano dell'Altissimo / https://catalogo.uffizi.it/it/29/ricerca/detailiccd/1187798/ -- Public domain -- http://commons.wikimedia.org/wiki/File:Portrait of Shah Tahmasp I. Inscribed "Tammas Pers". Painted by Cristofano dell'Altissimo, dated 1552-1568.jpg'
      searchTerm: 'http://commons.wikimedia.org/wiki/Special:FilePath/File:Portrait of Shah Tahmasp I. Inscribed "Tammas Pers". Painted by Cristofano dell'Altissimo, dated 1552-1568.jpg'
      typeOfResource: dpct
  external:
    - auth: GND
      country: DE
      date: 20231220
      id: 119106329
  foundIn:
    - B 1986 unter Safawiden
    - LCAuth
  gender: b
  geoNote:
    - authority: iso3166
      intro: geon
      lang: und
      text: IR
    - intro: ctry
      lang: ger
      text: Iran
  heading:
    - part:
        - entry: Tahmāsp
        - addition: I.
        - addition: 'Iran, Schah'
      usedBy:
        - GyFmDB
  imprintSource:
    - title: 'Tadkira -i- Šah Tahmasb. - 1924'
  location:
    point: {}
  name:
    - part:
        - entry: Tahmásp
        - addition: I.
        - addition: 'Persien, Schah'
      typeOfName: varn
    - part:
        - entry: Tammaso
        - addition: Sophi
      typeOfName: varn
    - part:
        - entry: Techmaes
        - addition: Sachi
      typeOfName: varn
    - part:
        - entry: Techmases
        - addition: Sophi
      typeOfName: varn
    - note:
        - lang: eng
          text: '[Arabic]'
      part:
        - entry: طهماسب
      typeOfName: varn
    - part:
        - entry: Ṭahmāsb
        - addition: I
        - addition: Schah von Iran
      typeOfName: varn
    - part:
        - entry: Ṭahmāsp
        - addition: I
        - addition: Schah von Iran
      typeOfName: varn
    - part:
        - entry: Ṭahmāsp
        - addition: I
        - addition: Shah of Iran
      typeOfName: varn
    - part:
        - entry: Ṭahmāsp
        - addition: I
        - addition: Šāh-i Īrān
      typeOfName: varn
    - part:
        - entry: Şah I Təhmasib
      typeOfName: varn
  typeOfEntry: 0
meta:
  history:
    - timestamp: 2004-09-22T12:00:00Z
    - timestamp: 2018-12-12T12:00:00Z
    - timestamp: 2019-05-03T12:00:00Z
    - timestamp: 2024-01-12T12:00:00Z
    - timestamp: 2024-02-08T12:00:00Z
  status: n
depiction of ...
Portrait of Shah Tahmasp I, painted by Cristofano Dell'Altissimo between 1552 and 1568.Panel/oil painting.Inscribed "Tammas Pers". (Tanavoli, Parviz (2015). European Women in Persian Houses: Western Images in Safavid and Qajar Iran. I.B. Tauris. p. 18. ISBN 978-1838608484.)Housed at the Galleria degli Uffizi, Florence.The idea of a universal gallery made up of portraits of illustrious men was thanks to Cosimo I de' Medici. In 1552, the duke of Tuscany sent the painter Cristofano dell'Altissimo to Como to copy the collection of portraits of illustrious men that the learned bishop Paolo Giovio, who had recently died in Florence, had collected in his villa on the lake from 1521. It was a very rare collection, the most important of its kind, both for the presence of numerous splendid originals and for the large number of subjects. Copies were sent from Como in groups from 1552 to 1587/89, so much so that Vasari, in the second edition of the "Lives" (1568), lists 280 portraits already present in Florence. In the meantime, Vasari himself had set up for Cosimo, in Palazzo Vecchio, a room annexed to the rooms of the Guardaroba, the so-called room of the Globe or of the geographical maps, destined to welcome in a particularly worthy setting also the collection of portraits of illustrious men who hand was forming. The program so loved by Cosimo I did not bear fruit with the new Grand Duke Francesco, while it resumed immediately and in full with the accession to the throne of Ferdinand I. Between 1587, the initial year of his government, and 1591 he arranged for the transfer collection of portraits in the corridor of the Uffizi; in 1597 the diplomatic traveler and writer from Vicenza Filippo Pigafetta rearranged the collection according to the "dignities and professions" and highlighted the most serious gaps in order to then complete and update the whole series. The Giovian collection was continued until 1840, today it has 492 pieces and is extraordinarily important from a historical-iconographic, if not stylistic, point of view. The portrait in question, mentioned in Vasari's list of 1568, depicts Tammas Sophy, king of Persia, who lived in the 16th century.
[Cristofano dell'Altissimo / https://catalogo.uffizi.it/it/29/ricerca/detailiccd/1187798/ -- Public domain -- http://commons.wikimedia.org/wiki/File:Portrait of Shah Tahmasp I. Inscribed "Tammas Pers". Painted by Cristofano dell'Altissimo, dated 1552-1568.jpg]

Same As

SUDOC (France)
Authority record
Wikidata
Wikidata description set

Portraits

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You may also download this records in one of the following formats

cnp00547419

---
_id: cnp00547419
_rights:
  delete: 0
  edit: 0
data:
  actNote:
    - authority: sswd
      intro: acti
      lang: ger
      text: Personen der Geschichte (Politiker und historische Persönlichkeiten) (16.5p)
      uri: http://d-nb.info/standards/vocab/gnd/gnd-sc#16.5p
  bioDates:
    - end: 1576
      lang: ger
      start: 1514
      text: 1514-1576
  extDataset:
    - code: VIAF
      note:
        - lang: eng
          text: Clustered authority record
      searchTerm: http://viaf.org/viaf/78638870
      typeOfResource: same
    - code: SUDO
      note:
        - lang: eng
          text: Authority record
      searchTerm: http://www.idref.fr/079422314/id
      typeOfResource: same
    - code: DNBI
      note:
        - lang: eng
          text: Authority record
      searchTerm: http://d-nb.info/gnd/119106329
      typeOfResource: same
    - code: WDAT
      note:
        - lang: eng
          text: Wikidata description set
      searchTerm: http://www.wikidata.org/entity/Q298410
      typeOfResource: same
    - code: LINK
      note:
        - lang: und
          text: 'Portrait of Shah Tahmasp I, painted by Cristofano Dell'Altissimo between 1552 and 1568.Panel/oil painting.Inscribed "Tammas Pers". (Tanavoli, Parviz (2015). European Women in Persian Houses: Western Images in Safavid and Qajar Iran. I.B. Tauris. p. 18. ISBN 978-1838608484.)Housed at the Galleria degli Uffizi, Florence.The idea of a universal gallery made up of portraits of illustrious men was thanks to Cosimo I de' Medici. In 1552, the duke of Tuscany sent the painter Cristofano dell'Altissimo to Como to copy the collection of portraits of illustrious men that the learned bishop Paolo Giovio, who had recently died in Florence, had collected in his villa on the lake from 1521. It was a very rare collection, the most important of its kind, both for the presence of numerous splendid originals and for the large number of subjects. Copies were sent from Como in groups from 1552 to 1587/89, so much so that Vasari, in the second edition of the "Lives" (1568), lists 280 portraits already present in Florence. In the meantime, Vasari himself had set up for Cosimo, in Palazzo Vecchio, a room annexed to the rooms of the Guardaroba, the so-called room of the Globe or of the geographical maps, destined to welcome in a particularly worthy setting also the collection of portraits of illustrious men who hand was forming. The program so loved by Cosimo I did not bear fruit with the new Grand Duke Francesco, while it resumed immediately and in full with the accession to the throne of Ferdinand I. Between 1587, the initial year of his government, and 1591 he arranged for the transfer collection of portraits in the corridor of the Uffizi; in 1597 the diplomatic traveler and writer from Vicenza Filippo Pigafetta rearranged the collection according to the "dignities and professions" and highlighted the most serious gaps in order to then complete and update the whole series. The Giovian collection was continued until 1840, today it has 492 pieces and is extraordinarily important from a historical-iconographic, if not stylistic, point of view. The portrait in question, mentioned in Vasari's list of 1568, depicts Tammas Sophy, king of Persia, who lived in the 16th century.'
      rights: 'Cristofano dell'Altissimo / https://catalogo.uffizi.it/it/29/ricerca/detailiccd/1187798/ -- Public domain -- http://commons.wikimedia.org/wiki/File:Portrait of Shah Tahmasp I. Inscribed "Tammas Pers". Painted by Cristofano dell'Altissimo, dated 1552-1568.jpg'
      searchTerm: 'http://commons.wikimedia.org/wiki/Special:FilePath/File:Portrait of Shah Tahmasp I. Inscribed "Tammas Pers". Painted by Cristofano dell'Altissimo, dated 1552-1568.jpg'
      typeOfResource: dpct
  external:
    - auth: GND
      country: DE
      date: 20231220
      id: 119106329
  foundIn:
    - B 1986 unter Safawiden
    - LCAuth
  gender: b
  geoNote:
    - authority: iso3166
      intro: geon
      lang: und
      text: IR
    - intro: ctry
      lang: ger
      text: Iran
  heading:
    - part:
        - entry: Tahmāsp
        - addition: I.
        - addition: 'Iran, Schah'
      usedBy:
        - GyFmDB
  imprintSource:
    - title: 'Tadkira -i- Šah Tahmasb. - 1924'
  location:
    point: {}
  name:
    - part:
        - entry: Tahmásp
        - addition: I.
        - addition: 'Persien, Schah'
      typeOfName: varn
    - part:
        - entry: Tammaso
        - addition: Sophi
      typeOfName: varn
    - part:
        - entry: Techmaes
        - addition: Sachi
      typeOfName: varn
    - part:
        - entry: Techmases
        - addition: Sophi
      typeOfName: varn
    - note:
        - lang: eng
          text: '[Arabic]'
      part:
        - entry: طهماسب
      typeOfName: varn
    - part:
        - entry: Ṭahmāsb
        - addition: I
        - addition: Schah von Iran
      typeOfName: varn
    - part:
        - entry: Ṭahmāsp
        - addition: I
        - addition: Schah von Iran
      typeOfName: varn
    - part:
        - entry: Ṭahmāsp
        - addition: I
        - addition: Shah of Iran
      typeOfName: varn
    - part:
        - entry: Ṭahmāsp
        - addition: I
        - addition: Šāh-i Īrān
      typeOfName: varn
    - part:
        - entry: Şah I Təhmasib
      typeOfName: varn
  typeOfEntry: 0
meta:
  history:
    - timestamp: 2004-09-22T12:00:00Z
    - timestamp: 2018-12-12T12:00:00Z
    - timestamp: 2019-05-03T12:00:00Z
    - timestamp: 2024-01-12T12:00:00Z
    - timestamp: 2024-02-08T12:00:00Z
  status: n